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Films

Without films, analog photography would not be possible at all, that’s why they deserve as much attention as cameras. There are different types of films, redscale, slide films, black and white films and color negative films.

Here you can find an overview of different films with example photos.

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Film cameras need film. Without fresh film stock, nothing works in analog photography and you can’t take pictures. Film stock is light sensitive and converts and stores the light that has passed through the camera’s optics. So film is a mixture of an image sensor (of a digital camera) and a storage medium.

As with cameras, there were and are many different types of film. The main distinguishing characteristics are type, format, and development. The main types are black and white film and color film. These can be further subdivided into color negative film, color slide film, orthochromatic black and white film, and more. Each film differs in its (color) characteristics and sensitivity.

There are also the different film formats. From small to large, in cartridges or loose sheets, and complicated to simple to handle. There have been countless film formats developed and discontinued over the years.

Unlike digital photography, you don’t see the photo you’ve taken immediately. Before viewing the image, the film is developed. This process looks different depending on the film stock used, but always includes a chemical reaction.

Some films need to be treated in a standardized process made up of different chemical tapes and taken to a photo lab for this purpose. For color negative films this process is called C-41, for color slide films E6. In the case of instant films, for example, the chemistry is integrated directly into the film, so that the image appears directly without further intervention.

As you can see, there are many different possible combinations, which is why there are and have been so many different films. There is no such thing as the perfect film, but the choice of film always depends on the shooting situation, the camera and the desired result. We’ll give you an overview of the photographic films that have been developed over the decades, describe the special features and show you which films are still available to buy today.

Brands & Manufacturer

Filmformate

Filmarten

Empfindlichkeiten

Der 400er Farbfilm von Müller
Müller Foto 400
The Müller Foto 400 is a color negative film.
Lomography Color Tiger 200 110
Lomography Color Tiger 110
The Lomography Color Tiger 110 is a color negative film.
Der Pocketfilm von Lomography für Schwarzweißaufnahmen
Lomography Orca B&W 100 110
The Lomography Orca B&W 100 110 is a black-and-white film.
Ein Diafilm von AgfaPhoto
AgfaPhoto CT Precisa 100
The AgfaPhoto CT Precisa 100 is a slide film.
Der eingestellte 100er Farbfilm von Rossmann
Rossmann HR 100
The Rossmann HR 100 is a color negative film.
Der Luftbildfilm von Agfa im Kleinbildfilmformat
Rollei RCN 640
The Rollei RCN 640 is a color negative film.
Rollei RPX 400 35mm – New
Rollei RPX 400
The Rollei RPX 400 is a black-and-white film.
Der Schwarzweißfilm im Mittelformat aus China
Shanghai GP3 100
The Shanghai GP3 100 is a black-and-white film.
Der 200er Kleinbildfilm von DM-Markt
DM Paradies 200
The DM Paradies 200 is a color negative film.
Der 200er Kleinbildfilm von Schlecker
Schlecker AS 200
The Schlecker AS 200 is a color negative film.
Der 400er Kleinbildfilm von Schlecker
Schlecker AS 400
The Schlecker AS 400 is a color negative film.
Der Kleinbildfilm mit einer Empfindlichkeit von ISO 200 von Rossmann
Rossmann HR 200
The Rossmann HR 200 is a color negative film.
Der 400er Kleinbildfilm von Rossmann
Rossmann HR 400
The Rossmann HR 400 is a color negative film.
the-impossible-px-680color-shade-cool-paris-edition-600-3958-asf
The Impossible Project PX 680 Color Shade Cool Paris Edition
The The Impossible Project PX 680 Color Shade Cool Paris Edition is an instant film / integral film.
the-impossible-project-pz-680-color-shade-cool-spectra-3959-asf
The Impossible Project PZ 680 Color Shade Cool
The The Impossible Project PZ 680 Color Shade Cool is an instant film / integral film.
the-impossible-project-PZ-600-silver-shade-UV-plus-black-frame-image-spectra-3778-asf
The Impossible Project PZ 600 Silver Shade UV+ Black Frame
The The Impossible Project PZ 600 Silver Shade UV+ Black Frame is an instant film / integral film.
tip-PZ-600-silver-shade-UV-plus-galimberti-edition-image-spectra-3777-asf
The Impossible Project PZ 600 Silver Shade UV+ Galimberti Edition
The The Impossible Project PZ 600 Silver Shade UV+ Galimberti Edition is an instant film / integral film.
the-impossible-project-pz-600-silver-shade-instant-film-integral-film-bnv
The Impossible Project PZ 600 Silver Shade
The The Impossible Project PZ 600 Silver Shade is an instant film / integral film.
the-impossible-project-pz-600-silver-shade-uv-plus-image-spectra-3740-asf
The Impossible Project PZ 600 Silver Shade UV+
The The Impossible Project PZ 600 Silver Shade UV+ is an instant film / integral film.
the-impossible-project-pz-600-silver-shade-cool-image-spectra-3733-asf
The Impossible Project PZ 600 Silver Shade Cool
The The Impossible Project PZ 600 Silver Shade Cool is an instant film / integral film.
the-impossible-project-pz-680-color-shade-image-spectra-3727-asf
The Impossible Project PZ 680 Color Shade
The The Impossible Project PZ 680 Color Shade is an instant film / integral film.
Der DM Paradies 400 im Kleinbildfilmformat
DM Paradies 400
The DM Paradies 400 is a color negative film.
the-impossible-project-px-680-color-shade-cool-typ-600-3135-asf
The Impossible Project PX 680 Color Shade Cool
The The Impossible Project PX 680 Color Shade Cool is an instant film / integral film.
the-impossible-project-px-600-silder-shade-cool-typ-600-3136-asf
The Impossible Project PX 600 Silver Shade Cool
The The Impossible Project PX 600 Silver Shade Cool is an instant film / integral film.